‘Lost Caravaggio’ found in French attic causes rift in art world

Lost Caravaggio' found in French attic causes rift in art worldLost Caravaggio' found in French attic causes rift in art world

Painting valued at up to €120m (around $135 million US) found by accident believed by many to be work of Renaissance master

I just came across the UK’s the Guardian and it sure peaked my curiosity! read on …

It could turn out to be an Italian Renaissance masterpiece by one of history’s greatest painters; yet the mysterious 400-year-old canvas was only found by accident when the owners of a house near Toulouse went to fix a leak in the ceiling.

The large, remarkably well-preserved canvas of the beheading of the general Holofernes by Judith, from the apocryphal Book of Judith, was painted between 1600 and 1610, specialists estimate. And many experts believe it could be a work by the Milan-born master, Caravaggio.

Labelled the Caravaggio in the attic, France has put an export ban on the painting to stop it leaving the country while investigations are carried out.

The so-called Caravaggio in the attic looks like a fake to me
Speaking to reporters, the painting expert Eric Turquin said it could be worth as much as €120m (£96m), describing the work as having “the light, the energy, typical of Caravaggio, without mistakes, done with a sure hand and a pictorial style that makes it authentic”.

While other specialists have questioned its provenance, Turquin got the backing of a top Caravaggio expert, Nicola Spinoza, former director of the Naples museum. In an expert assessment seen by Agence France-Presse, Spinoza wrote: “One has to recognise the canvas in question as a true original of the Lombard master, almost certainly identifiable, even if we do not have any tangible or irrefutable proof.”

Turquin said there will never be a consensus about the name of the artist. Two Caravaggio experts he consulted attributed the painting to Louis Finson, a Flemish painter and art dealer who was familiar with Caravaggio. They say Finson possessed a number of works by the Italian master and made copies of his pictures.

“But the third expert I met told me that it was not only a Caravaggio, but also a masterpiece,” Turquin said. “Judith Beheading Holofernes must be considered the most important painting, by far, to have emerged in the last 20 years by one of the great masters.”

But the French art newspaper Le Quotidien de l’Art quoted another expert on the artist, Mina Gregori, as saying that it was not an original, although she recognised the “undeniable quality of the work”.

In a statement, the French culture ministry has said the painting should stay on French soil “as a very important Caravaggian marker, whose history and attribution are still to be fully investigated”.

The export ban means it cannot leave the country for 30 months while it is studied, and to allow French national museums enough time for its potential acquisition. The Louvre Museum in Paris has already spent three weeks studying it.

The painting, which measures 144cm x 175cm (56in x 69in) was found in April 2014, in the rafters of a house on the outskirts of Toulouse.

The family telephoned a local auctioneer, Marc Labarde, a close partner to Turquin. After using cotton wool and water to clean it, he recognised a 17th-century painting from the Caravaggio school.

Turquin kept the picture away from the public’s eyes for two years, cleaning it and submitting it to a deep examination, which included infrared reflectography and X-rays.

So what do you think? Holmes, Watson where are you?

About the Author

Bill West
The founder and director of several art and sculpture related marketing companies along with their companion websites. Bill West is all about Art, Sculpture. Music, Architecture, Technology and items that move like cars and all motion related cool - all things Spatial. Bill West first became involved in the visual communications industry in 1972. Starting with a Craft store, then moving into commercial and fine arts store and both wholesale and retail as well as publishing our own 300 page catalog. That morphed in as gallery and large custom picture frame operation. Soon after that we ventured into drafting and engineering supply company and large scale photo reprographics services operation with complete large format color lab! Next came a Computer graphics systems integration company. Selling both cad/cam systems and micro-computer design cad systems which integrated AutoCad and 3D visualization programs to the PC. Always a forward thinker, Bill can spot market changes in the making and is good at positioning companies to benefit from that eventuality. A good example of this seeming clairvoyance is the way he jumped on the internet in 1993. By 1995 he had created a respected internet marketing business catering to the visual arts community.

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